Emile Mors was a speed merchant who preferred to leave the driving to his factory team and to the wealthy “gentlemen drivers” who were his marque’s biggest fans, among them the Honorable Charles Stewart Rolls (who had not yet made the acquaintance of Henry Royce) and William K. Vanderbilt, Jr.
So fast and famous was the Mors that, in the midst of an anti-automobile tirade, a member of Britain’s Parliament drew on his classical education to suggest that Emile’s car was so named because “Mors” meant “death” in Latin and thus provided tacit permission for its driver to run down anyone who got in his way. Such prejudice was fueled by the fact that Mors unwisely used the Latin tag “Mors ianua vitae” (death is the gateway to life) in its advertising, confident that its upper-crust clientele would appreciate the pun.
Mors backed down from its emphasis on competition in 1905. In 1906, the company licensed a factory in St. Louis to produce the American Mors. The following year was awful. A poor businessman, Emile fell victim to the Panic of 1907. His company was reorganized in 1908, with former gearmaker André Citroén in charge. And the decision was hastily made to enter the three cars in the French Grand Prix. The result demonstrated what haste makes. One car was a non-starter, the second finished 17th, the display car – driven by the famed “Red Devil” Jenatzy –could do no better the 16th, nearly an hour and a half behind the winning Mercedes.
The 1908 Grand Prix was Mors’ last major effort in competition. In 1909, the American Mors was discontinued. A decade later, in Paris, Mors’ future was preordained when André Citroén put his own name on a car and made plans to become France’s Henry Ford. By the midtwenties the Mors was no more. The name appeared on an electric car during World War II and was last seen on a mid-fifties motor scooter carrying the hopeful model designation of “Speed”.
Photos – Peter Harholdt
Most race cars were non-competitive after their first campaign — the 1927 Vauxhall was competitive for 23 years (1927–1950) and you can see it in person. Learn more